Amy Lyddon

REVIEWS

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“Exquisite - Amy Lyddon, the mezzo-soprano, sounding very good.”

Sean Rafferty, BBC Radio 3 - Magnificat, Bach   13/12/13

 

“Amy Lyddon...was a warmly expressive Nancy."  

 Fiona Maddocks, The Guardian - Albert Herring, Britten   31/07/11

 

“Amy Lyddon shows herself to be a brilliant character actress as Mrs Herring, hectoring over Albert with real aggression, and lacing her own lemonade with vodka on the sly."

Charlotte Valori, Bachtrack - Albert Herring, Britten   6/7/15

 

"Minor casting, as is the rule with this company, was exceptionally strong...Amy Lyddon made [her] mark as Pastuchyna".

Melanie Eskenazi, Music OMH - Jenufa, Janacek   18/6/17

 

“Stand-in alto Amy Lyddon seamlessly delivered a vocal performance worthy of Oxford Philomusica."

Dan Hall, Daily Info Oxford - Messiah, Handel   11/12/14

 

“The star of the show was Amy Lyddon, as Angelo Custode, whose vocal range and powerful voice commanded a heavenly presence on stage."

 Alice Carr, The Tab - Rappresentatione di Anima et di Corpo, Cavalieri   15/03/12

 

“Amy Lyddon was absolutely outstanding as Bathsheba. The strength of her voice and the conviction of her acting brought presence and seriousness to her role."

Joe Bates, The Tab - Far from the Madding Crowd (première)   03/02/12

 

 “One of the more well-rounded voices, Amy Lyddon's Nancy was sympathetically portrayed."

    Graham Rogers, Classical Source - Albert Herring, Britten   26/07/11

 

“It was the rubber-faced Amy Lyddon as Cherubino who really stole the show. The exaggerated expressions of the permanently mortified teenage rake prompted peals of laughter at every turn."

 Joe Bates, The Tab - The Marriage of Figaro, Mozart   25/02/11

 

       "The soloists too, with the gorgeously deep and dramatic alto of Amy Lyddon...were spot-on."

 Joe Conway, The Tab - Rachmaninoff Vespers   01/11/10